While these are just the top three, any video editor that lets you manipulate colors might have these options as well. This isn’t exclusive to any one NLE, so all the big names like Premiere Pro, Final Cut Pro and Davinci Resolve have these options available to you. If you want to learn more about color bit-depth, there is a great article that covers this topic over on Videomaker’s website. Even if 8-bit is all you have to work with, you can still get some great results if you’re careful with your color selections. Some newer camera lines like Fujifilm and Panasonic Lumix offer higher bit depths. Keep in mind that most popular DSLR and mirrorless cameras, like the Sony Alpha and Canon EOS lines, are limited to 8-bit color for internal recording. If you were shooting in bad lighting, had trouble white balancing, or you just need to go the extra mile to make those skin tones pop, Hue Saturation and Luminance Curves might actually come to the rescue.
Whether it’s during color correction or color grading, sometimes you just want the freedom of tweaking your colors in post. Aaron Are “Smooth” Transitions Just a Gimmick? Let’s Talk About It. You can see more of my professional work on my homepage. By planning out your shots ahead of time, the post-production side of things becomes very fast because the only real work you have to do while editing is nail your time-remapping and cross fade points. Focusing on getting the right camera moves while shooting was an important step in achieving the smoothest transitions possible. The set up and equipment used for this shoot was very stripped down and minimal. It goes back to that basic rule of marketing and advertising – know your audience.Īfter the discussion, I take you through one of my client examples of how I incorporated some in-camera “smooth” transitions and time remapping on a local Mini Cooper S feature. Knowing the context of when and when NOT to implement these techniques into your videos is important.
I talk about how I personally believe they should be used and also where they’re unnecessary and can turn the viewer off.
In today’s video, I want to open up a discussion about “smooth” transitions and their most commonly paired-with counterpart – speed ramping (or more technically referred to as Time-Remapping). Sometimes it feels like these effects are becoming over saturated. It seems transitions have gotten pushed to the max in the past several years within the online filmmaker and content creator community. While transitions might have been simpler back in the day, they still had their place and served a specific purpose (even if they DO happen to look amazingly cheesy now). As a kid watching Star Wars, there were always those “super” cinematic linear wipes that would take you from one scene to the next. Video transitions have been around for as long as I can remember.
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